WHY I PAINT STILL LIFES:

Growing up in a house full of antiques with life tinged by the Victorian era, my memories are of a quiet and elegant time.

In my own classical still lifes, I try to recreate those special feelings by lighting various flowers, fruit, heirlooms, and drapery until I am satisfied that the overall setup conveys a sense of tranquility...paintings that can be enjoyed for many years.

The painting at right, Alabaster Horse, was featured in my recent exhibition "Indoors and Outdoors" at American Painting Fine Art in DC.

My procedure is to set up the objects in my studio until I get an arrangement that I like. Sometimes it takes many hours over several days. I had my eye on the horse for years...it was my grandmother's and I remember it from my childhood. After many adjustments, I finally was pleased with set-up that complimented the graceful steed.